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Introduction
About the photographer
Images
Exhibition Info
 

As the first gallery in Korea to adopt the professional photography gallery system and the responsibility that comes with the title, we've prepared a long-term project which will take the viewers into the history of photography. As the first exhibition of this project, we've self-organized the exhibition under the title, "Photography's Turning Point: Alfred Stieglitz and Camera Work". We will continue to put in efforts to deliver educating and meaningful programs through important exhibitions.


Introduction

Exhibition 1 Photography's Turning Point : Alfred Stieglitz and Camera Work
9. 3 - 10. 15. 2005
Exhibition 2 Pictorial Photography to Straight Photography :
Alfred Stieglitz, Edward Steichen, Paul Strand,
Ansel Adams and Edward Weston
10. 22 - 11. 27. 2005

Sponsor United States Embassy, Seoul, Republic of Korea
Embassy of the Grand - Duchy of Luxembourg
Goethe- Institut Seoul
Ministry of Culture and Tourism
The Korean Culture and Arts Foundation
Bar n dining

Alfred Stieglitz(1864-1946) was born in New Jersey in 1864. He's earned a title, 'Father of Modern Photography', by playing main role in improving the status of photography from the mere pictorial photography copying pictures to photography as fine art, making photography an independent art genre.

Alfred Stieglitz created(established) Photo Secession in Feb. of 1902 to help the artistic side of pictorial photography be acknowledged. He led the Photo Secession movement, aimed to recover the pure mechanical 'record-ability' the photography has, and through it all, called for the correct understanding of the straight photo based on photographic reality. Also, he produced Camera Work, a photography journal that worked as the official bulletin of the Photo Secession. Camera Work continued its publication from 1903 to 1917, during which 50 editions were published.

The Camera Work had effects not only on photography but on the whole 20th century Art culture as well and it still enjoys the recognition for being the experimental art review magazine for its continual publications of the essays and reviews from some of the most influential intellectuals of the time. It did not only include the works of Photo Secession photographers but also included the works of main photographers in Europe such as Frederick H. Evans and Robert DeMachy. Camera Work also helped the detailed recording of the trend of pictorial thought possible by introducing the works of the masters of European Arts, including Rodin and Picasso, to New York Art world and had a huge influence on modern art through it all.

Camera Work is surely the 'Dream Magazine' published by tipping each photograph printed through the Photogravure Printing technique onto Japanese tissue by hand. Photogravure Print, one of the finest photography printing techniques, is a printing technique in which the photographs are printed by hand using high quality paper and achival ink and has a very sensual velvet texture.

With the helps of Edward Steichen, Alfred Stieglitz opened Gallery 291 on fifth avenuein 1905 and exhibited a distinct and avant garde-like modern photographs and art works from Europe and Africa along with the works of Photo Secession photographers. Gallery 291 is a gallery that brought the revolution in American art world and it made a lot of contribution in helping photography earn acknowledgment as one genre of art.

Through the interior of the exhibition, the Gallery Lumiere tried to imitate the exhibition of the Gallery 291(Little Gallery) of New York of 1905, which was the founding location of the modern arts and called by the nickname, Little Gallery. By exhibiting the original copy of Camera Work and the vintage photogravure inside it along with the analogue Vintage Prints that shows the process of photography from 120 years ago, we will show the dramatic movement of photography from its beginning stage as the pictorial photography to the modern photography. This exhibition will help the audience understand that the photographs are not only capable of expressing the facts but that It has a very artistic territory in which the emotions and characters can be expressed.

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About the photographer
Alfred Stieglitz (1864-1946)
Edward Steichen (1879-1973)
Paul Strand (1890-1976)
Baron Adolf De Meyer (1886-1946)
Gertrude Ksebier (1852-1934)
Clarence H. White (1871-1934)
Alvin Langdon Coburn (1882-1966)
Joseph. T. Keiley (1869-1914)
Heinrich Kuehn (1866-1944)
W.B. Post (1857-1925)
George H. Seeley (1880-1955)
Annie W. Brigman (1869-1950)
Frederick H. Evans (1853-1943)
Paul B. Haviland (1880-1950)
W.W. Renwick (1864-1933)
Edward Weston (1886-1958)
Ansel Adams (1902-1984)





Alfred Stieglitz (1864-1946)


SELECTED AWARDS
1887 London Amateur Photographer
1896 Gold medal, International Exhibition, Cardiff, Wales
1924 Progress Medal, Royal Photographic Society
1940 Honorary Fellow of Photographic Society of America



SELECTED PUBLICATIONS
Frank, Waldo, et al. eds. America and Alfred Stieglitz: A Collective Portrait. 1934. Reprint. Millerton, New York: Aperture, 1979
Bry, Doris. Alfred Stieglitz: Photographer. Boston: Museum of Fine Arts, 1965
Seligmann, Herbert J. Alfred Stieglitz Talking. New Haven: Yale University Press, 1966
Green, Jonathan, ed. Camera Work: A Critical Anthology. Millerton, New York: Aperture, 1973
Norman, Dorothy. Alfred Stieglitz: An American Seer. New York: Aperture, 1973
Alfred Stieglitz: The Aperture History of Photography Series. Millerton, New York: Aperture, 1976
Homer,William Innes. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Society, 1977
Georgia O'Keeffe: A Portrait by Alfred Stieglitz. Introduction by Georgia O'Keeffe. New York: Metropolitan Museum of Art, 1978
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Photography. New York: Metropolitan Museum of Art, 1978
Lowe, Sue Davidson. Stieglitz: A Memoir/Biography. New York: Farrar, Straus, Giroux, 1983
Beyond a Portrait: Photographs , Dorothy Newman and Alfred Stieglitz. [Exh. Cat. The Philadelphia Museum of Art]. Millerton, New York and Philadelphia, 1984
Greenough, Sarah. Modern Art and America: Alfred Stieglitz and His New York Galleries.
Exh. Cat. National Gallery of Art, Washington, D.C., 2001



SELECTED PUBLIC COLLECTIONS
Art Institute of Chicago
Boston Museum of Fine Arts
Cleveland Museum of Art, Ohio
Eastman House, Rochester, New York
J. Paul Getty Museum, Los Angeles
Kemper Museum of Contemporary Art, Missouri
Los Angeles County Museum of Art
Metropolitan Museum of Art, New York
Minneapolis Institute of Arts, Minnesota
Muse d'Orsay, Paris
Museum of Fine Arts, Houston
National Gallery of Art, Washington, D.C.
Philadelphia Museum of Art
Princeton University Art Museum, New Jersey
San Francisco Museum of Modern Art
The Jewish Museum, New York
Worcester Art Museum, Massachusetts







Edward Steichen (1879-1973)



SELECTED AWARDS

1903 President's Cup of the Camera Club of New York
Top prize, Eastman Kodak competition
Special Commendation, Wiesbaden Awards, Germany
First Prize, Portrait Class, Bausch & Lomb Quartercentury Competition
1904 Best Picture, International Exhibition at the Hague
(Rodin "Le Penseur", "Victor Hugo")
1905 Two first prizes, Eastman Kodak competition
First prize, Goerz competition
1918 Chevalier of the Legion of Honor
Medaille d'Honneur des Affaires Etrangres
Distinguished Service Citation
1931 Honorary Fellow, The Royal Photographic Society of Great Britain
1937 Annual Advertising Awards' Silver Medal
1940 Art Directors Club medal
1942 Honorary Master of Arts, Wesleyan University
1945 Art Directors Club Medal (for work on The Fighting Lady)
1949 U.S. Camera Achievement Award
1952 Popular Photography Magazine Award
1955 Newspaper Guild;the American Society of Magazine Photographers; the Philadelphia Museum School of Art; the National Urban League; Kappa Alpha Mu
1963 Presidential Medal of Freedom from John F. Kennedy
1964 Certificate of Award, Governor's Council on the Arts, State of Wisconsin
1965 Certificate of Award, Connecticut Professional Photographers Association
Lotos Club of New York Award of Merit
Citation, National Council on the Arts and Government
1966 Honorary degree of Doctor of Science, American International
College at Springfield, Massachusetts
Honorary Degree of Humane Letters, Bard College, New York
Grand Officer of the Order of Merit
Family of Man Award
1967 Progress Medal of the Photography Society of America
1968 Museum of Modern Art Special Award for Excellence
White House News Photographers Association Award



SELECTED PUBLICATIONS
The Blue Ghost. New York: Harcourt, Brace and Co., 1947
U.S. Navy War Photographs: Pearl Harbor to Tokyo Harbor. New York: U.S. Camera, 1946
Steichen the Photographer. By Carl Sandburg. New York: Harcourt, Brace and Co., 1929
Steichen the Photographer. New York: The Museum of Modern Art, 1961. Distributed by Doubleday & Company, Inc.
Edward Steichen: A Life in Photography. New York: Doubleday & Company, Inc., 1963
Edward Steichen: The Early Years. Exhibition catalogue. Text by Joel Smith. New York: Princeton University Press in association with the Metropolitan Museum of Art, 1999
Steichen's Legacy: Photographs 1895-1973. Edited and with text by Joanna Steichen. New York: Alfred A. Knopf, 2000



SELECTED PUBLIC COLLECTIONS
Art Gallery of New South Wales, Sydney, Australia
Cleveland Museum of Art, Ohio
Decordova Museum and Sculpture Park, Massachusetts
J. Paul Getty Museum of Art, Los Angeles
Library of Congress, Washington, D.C.
Metropolitan Museum of Art, NY
Milwaukee Art Museum, Wisconsin
Museum of Fine Arts, Houston
Museum of Modern Art, NY
National Gallery of Art, Washington, D.C.
Norton Museum of Art, West Palm Beach, Florida
Smithsonian American Art Museum, Washington, D.C.
Whitney Museum of American Art, NY







Paul Strand (1890-1976
)


SELECTED PUBLICATIONS
Camera Work, no.48, October 1916
Camera Work, no.49-50, June 1917
Lachaise, Gaston. Paul Strand: New Photographs. New York: The Intimate Gallery, 1929
Photographs of Mexico. Foreword by Leo Hurwitz. New York: Virginia Stevens, 1940
Newhall, Nancy. Paul Strand: Photographs 1915-1945. New York: The Museum of Modern Art, 1945
Time in New England. With Nancy Newhall. New York: Oxford University Press, 1950
La France de Profil. Text by Claude Roy. Lausanne: La Guilde du Livre, 1952
Tir a'Mhurain. Text by Basil Davidson. Dresden: VEB Verlag der Kunst, 1962
Living Egypt. Text by James Eldridge. Dresden: VEB Verlag der Kunst, 1969
Paul Strand: A Retrospective Monograph. Millerton, New York: Aperture, 1971
Ghana, An African Portrait. Text by Basil Davidson. Millerton, New York: Aperture, 1975
Paul Strand: Sixty Years of Photographs. New York: Aperture Inc., 1976
Un paese vent'anni dopo. Text by Cesare Zavattini. Torino: G. Einaudi, 1976
Adams, Robert. Paul Strand: Essays on His Life and Work. New York: Aperture, 1987
The Transition Years: Paul Strand in New Mexico. Tucson: University of Arizona Press, 1989
Greenough, Sarah. Paul Strand: An American Vision. New York: Aperture Foundation in association with the National Gallery of Art, Washington, 1990
Haworth-Booth, Mark. Paul Strand. Paris: Nathan Image, 1990
Duncan, Catherine. Paul Strand: The World on my Doorstep 1950-1976. New York: Aperture, 1994
Un Paese. Text by Cesare Zavattini. Turin: Giukio Einaudi, 1955. Reprinted by Aperture, 1997
Hambourg, Maria Morris. Paul Strand: Circa 1916. Exhibition catalogue. New York: Metropolitan Museum of Art, 1998. Distributed by Harry N. Abrams, Inc., NY



SELECTED AWARDS

1963 Honor Roll of the American Society of Magazine Photographers, NY
1967 David Octavius Hill Medal, Gesellschaft Deutscher Lichtbildner,
Mannheim, Germany
1970 Swedish Photographers Association and Swedish Film Archives Award



SELECTED PUBLIC COLLECTIONS
Art Institute of Chicago, Chicago, Illinois
Baltimore Museum of Art, Baltimore, Maryland
Birmingham Museum of Art, Birmingham, Alabama
Center for Creative Photography, Tucson
Cleveland Museum of Art, Cleveland, Ohio
Fogg Art Museum, Cambridge, Massachusetts
George Eastman House, Rochester, NY
High Museum of Art, Atlanta, Georgia
Indiana University Art Museum, Bloomington, Indiana
International Center of Photography, NY
J. Paul Getty Museum of Art, Los Angeles, California
Kunsthaus, Zrich, Germany
Metropolitan Museum of Art, New York, New York
Minneapolis Institute of Arts, Minneapolis, Minnesota
Museum of Fine Arts, Boston, Massachusetts
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, New York, New York
Museum of Photographic Arts, San Diego, California
M.H. de Young Memorial Museum, San Francisco, California
National Gallery of Art, Washington, D.C.
National Portrait Gallery, Washington, D.C.
New York Public Library, NY
Philadelphia Museum of Art, Philadelphia
Saint Louis Art Museum, Saint Louis, Missouri
San Francisco Museum of Modern Art, San Francisco, California
University Art Museum, University of New Mexico, New Mexico
Victoria & Albert Museum, London
Whitney Museum of American Art, New York, New York



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Images
** All Images are under copyright.


(Click on the image to see the big size image.)

 

 
   

 

 



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Exhibition Info


Programs
Lecture One
Saturday Sep. 24, 7-9 pm
Sunday Sep. 25, 7-9 pm
Alfred Stieglitz and Camera Work
- Photogravure-
By Professor Chu- ha Chung


Lecture Two
Saturday Oct. 29, 7-9 pm
Sunday Oct. 30, 7-9 pm
Pictorial Photography to Straight Photography
By Professor Jae- Gu Lee


At Gallery Lumiere's Beautiful Terrace with wine or tea


If interested, please call for reservation and more information.
02- 517-2134/ 2176


Gallery Hours
Tuesday-Sunday 10:30 am-19:00 pm (Closed on Mondays)


Admission Fees
General Public 5,000 won,
Students(with ID) 4,000 won
People over 65, Handicapped people Free


Gallery talks
Tuesday-Sunday 1, 3, 5 pm (in Korean)
Saturday-Sunday 4 pm (in English)
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